Michał Grzegorzek is a curator and writer on contemporary art, currently Head of Programme at Warsaw's Galeria Studio. His interests focus on practices at the intersection of visual and performative arts, as well as on experimental exhibition formats.

Between 2016 and 2021, he was affiliated with the Centre for Contemporary Art Ujazdowski Castle in Warsaw, where he worked as Curator of Performative Arts. Together with Mateusz Szymanówka, he conducted research on the relationship between contemporary performance and club culture.

He has collaborated with institutions such as Nowy Teatr in Warsaw, the Museum of Modern Art in Warsaw, the Walker Art Center (Minneapolis, USA), CAC Vilnius (LT), Marres – House for Contemporary Culture (Maastricht, NL), and LCCA (Riga, LV). In 2023–2024, he was a resident at the Jan van Eyck Academie (NL).

Since 2022, he has been a co-curator of Kem School — an educational programme dedicated to social choreography, queer perspectives, and feminist practices.

Karolina Hałatek's works are catalysts for experience. Using light as her central medium, she creates site-specific installations that integrate visual, architectural, and sculptural elements.

She studied Design for Performance at University of the Arts London, Fine Arts at UdK Berlin, and Media Art at the Academy of Fine Arts in Warsaw, Poland, and took part in Olafur Eliasson's Institut für Raumexperimente.

Hałatek is a PhD candidate at the Academy of Fine Arts in Krakow and a visiting researcher at the Lighting Lab, Royal Danish Academy in Copenhagen.

He draws mainly on the achievements of music, contemporary and media art and posthumanist practice but he constructs forms different from the existing ones. He engages a wide spectrum of techniques, approaches and protocols: creates works using synthetic senses, programming techniques, also in the modern, cognitive incarnation, and elements of space and material engineering.

An important role in Janicki's creativity is drawn from historical and current contexts — in particular the perceived history of art and something that could be called the history of thinking. Janicki creates and continuously develops mechanisms and ideas for alternative futures.

Special place in his activity takes developing software according to his own projects, and broadly, creating his own media either sabotaging already existing solutions. In addition to solo activities, Janicki's list of cooperation projects includes groups such as Dæd Bɑɪtz (with A.I. as one of the members), and institutions such as NASA, and in the long-term of the WRO Art Center, in which he implements personal activities, supports and curates project by other artists.

Visual artist, designer, researcher. He works at the intersection of new media art, technology, design, and science, ranging from sculpture to interactive installations. He collaborates with interdisciplinary design teams, creating original interfaces, interactive installations, and multimedia spatial narratives, as well as film title sequences and animations.

He co-created numerous projects of international significance, such as "Poland's Memory – World's Memory" for UNESCO. He is the author of interactive exhibitions in the "Wieliczka" Salt Mine (included on the UNESCO World Heritage List). As part of an international art+science collection, he prepared the installation "EON" for the Copernicus Science Centre. He is a co-author of the spatial mapping for thematic areas of the Pantheon of Upper Silesia in Katowice and the mapping "I WAS/AM HERE" on the occasion of the 150th anniversary of Wojciech Korfanty's birth in Katowice. He also realized title sequences and animations for cinema, including the films Piłsudski, The Scratch, and Happiness of the World.

He is associated with the Academy of Fine Arts in Katowice, where in 2013 he obtained a doctoral degree in arts for the interactive work PR•OR•OK, which utilized artificial intelligence. In 2020, he obtained a postdoctoral degree (doktor habilitowany) in arts. He is a professor at the Academy of Fine Arts in Katowice, Head of the New Media Department, and the originator of the New Media field of study at his home university.

Founder of the Ksawery Komputery studio, he creates interactive installations, audiovisual performances, and generative animations, combining code, light, sound, and original real-time tools.

He graduated from the Faculty of Graphic Arts at the Academy of Fine Arts in Gdańsk; his diploma project, "Banner Exhibition," received the Minister of Culture Award in the Design 32 competition.

His work has been presented at venues including the Nxt Museum, the BLINK Festival, and Noor Riyadh. In recent years, he has also completed projects with Max Cooper, Childish Gambino, and Erykah Badu. He also co-creates the AVX Festival, an event dedicated to audiovisual art and creative technologies.

New media creator working at the intersection of painting, animation, film, and technology. A self-taught artist, he began experimenting with digital imagery in childhood, creating drawings and animations on Atari and Commodore Amiga computers. An important influence on his artistic development was his relationship with Zdzisław Beksiński.

Under the pseudonym Norman Leto, he debuted in 2007 with an exhibition at the Centre for Contemporary Art in Warsaw. His practice combines visual art with cinematic narrative and reflections on science, technology, and the human condition.

He is the author of experimental art films, including Sailor and Photon, which have been presented at international art and film festivals such as CPH:DOX, Hot Docs Toronto, and New Horizons. His works are also included in contemporary art collections, including MOCAK. He is currently working on a new film titled Pilot.

Dutch artist and researcher of resolutions. Her work focuses on noise artifacts resulting from accidents in both analog and digital media. The journey of her protagonist, the Angel of History, inspired by Paul Klee's 1920 monoprint, Angelus Novus, and conceptualized by Walter Benjamin in 1940, functions as a foundational framework for her explorations of image processing technologies. As the machines upgrade, the Angel finds herself caught in the ripple of their distortions, unable to render the world around her.

Complementing her practice, she published Glitch Moment/um (INC, 2011), a book on the exploitation and popularization of glitch artifacts. She further explored the politics of image processing in Beyond Resolution (i.R.D., 2020). In this book, Rosa describes how the standardization of resolutions promotes efficiency, order, and functionality, but also involves compromises, resulting in the obfuscation of alternative ways of rendering.

In 2019, Menkman won the Collide Arts at CERN Barcelona award, which inspired her recent research into im/possible images, consolidated in the im/possible images reader (published by the i.R.D. & Lothringer, with support from V2, 2022).

From 2018 to 2020, Menkman worked as Substitute Professor of Neue Medien & Visuelle Kommunikation at the Kunsthochschule Kassel. From 2023–2025 she ran the IM/POSSIBLE LAB at HEAD Genève.

Günseli Yalcinkaya is an artist, curator and writer based in London, whose work explores how technology shapes myth. As Contributing Editor at Dazed Magazine and former External Research Associate at Moth Quantum, Günseli investigates internet folklore, tracking how emerging technologies — from AI to quantum computing — give rise to new ideologies, digital superstitions and collective fantasies.

Her writing has appeared in publications for Aksioma, Ars Electronica, Julia Stoschek Foundation, LAS Art Foundation, HEK Basel among others.